K&K PURE XLR PREAMP
The Pure XLR Preamp has the same great sound and low noise circuitry as our best-selling Pure Preamp with the addition of a DI balanced XLR output and a phase switch.
The Pure XLR Preamp is specially designed to complement our line of Pure pickups. However, due to its adjustable input gain and wide frequency range it will work with many more applications. The Pure XLR Preamp features +/-20 db bass, mid, and treble controls, plus an adjustable input gain control. Its noiseless circuitry provides unsurpassed clarity and power and the adjustable input gain allows you to dial in the precise amplification factor needed for your instrument.
The addition of the phase switch is one of the most important tools for live sound amplification of any acoustic instrument. Phase switches are usually marketed as a feedback-controlling device, but they accomplish more than just that. Every acoustic instrument projects sound waves in a certain phase. The phase that is projected out of the amplified speaker source needs to be "in phase" with the acoustic instrument's own soundwaves or the result will not be optimal. If the amp projects in the opposite phase, the acoustic instrument will fight its own sound and no balanced tone can develop. Round and warm tone is only achieved when acoustic and amplified sound oscillate in the same phase. The Pure XLR Preamp's phase switch allows for instant correction of this problem.
An LED light indicates if phantom power is present. The unit can optionally be powered by a 9-volt battery, which will not be drained as long as the phantom power provides more than 10 volts.
Frequency response is 10-30,000Hz. The bass control is set to roll of at 100Hz, the midrange at 1.5kHz with extra large bandwidth and the treble are set at 10kHz. Input impedance is 1 meg. Output impedance on balanced XLR and 1/4" line out is 100 Ohm. The 1/4" line out can conveniently be used as a monitor out or for connection to a tuner.
"The Music That Maton Made" Hardback book
From a small backyard workshop on the outskirts of Melbourne, Maton Guitars has grown into a truly inspiring Australian success story.
In 1946, Bill May crafted a guitar in his Melbourne garage that he wanted the world to hear and to play. In a matter of years, it was in the hands of Elvis Presley on film. Later, a Maton played the riff that defined a generation on the Rolling Stones' 'Gimme Shelter'. Today, Maton are an essential part of music culture in Australia and around the world.
This is not only a book for guitar lovers — it's an intimate family history and an essential part of Australian music history. Compiling over ten years of research, and over two years in production, this book is as well-crafted and family-owned as Maton guitars themselves.
Go behind-the-scenes to meet the artisan guitar makers. Read the stories behind the songs created with Maton guitars. And go backstage to meet the bands and musicians that have, with a Maton in hand, shaped our musical world.
Packed full of interviews with the greats — from jazz legend George Golla to guitar virtuoso Tommy Emmanuel; from Archie Roach, and The Wiggles, to Daniel Johns, Paul Kelly, and Josh Homme, and many more ...
Published to coincide with Maton's 70th anniversary, The Music That Maton Made is a comprehensive, full-colour tribute to a home-grown guitar range that has been embraced by famous musicians and guitar enthusiasts around the world.View full product details
This student model, Spanish made classical, features a Solid Cedar soundboard, and Sapelle back and sides. Great entry level classical made in Spain.View full product details
This student model, Spanish made classical, features a Solid Cedar soundboard, and Sapelly back and sides, finished in a Gloss finish. Great entry level classical made in Spain.View full product details