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editions NOW IN STOCK
Taylor Koa GAce 2011 Fall
LTD
The flamey AA-grade koa earmarked for this series was so
seductive we couldn't resist going all-koa (although a premium
Engelmann spruce top is optional). Larry Breedlove's rosette design
incorporates a serpentine swath of koa set against creamy boxwood.
The koa/boxwood pairing carries over to the Engraved Twist
fretboard inlay, in which the design's swirling complexity is
tempered with the subtle, organic quality of thin wood lines. A
shaded edgeburst around the entire guitar — including the neck —
adds a touch of vintage Hawaiian charm that's complemented by
rosewood binding, thin white purfling, and Gotoh tuners.
Tonally, a koa top should make koa's natural midrange sweetness
even more pronounced, especially after the guitar has been played
in. Koa guitars also tend to be well-suited for the stage because
the initial attack is balanced and focused without being boomy.
One of the heaviest, densest rosewoods around, Mexican cocobolo
yields a bright, articulate voice. For this cocobolo/Sitka spruce
offering, cocobolo was also incorporated visually into the inlays
on the front of the guitars. A band of cocobolo trim traces the
top, while the rosette motif features cocobolo as an S-curve that
contrasts with buttery boxwood, a slow-growing wood with a density
comparable to ebony. Boxwood was also used for a new Split Diamond
fretboard inlay, which visually references the rosette's S-curve.
Other wood-rich appointments include a cocobolo backstrap and
figured maple binding. Tonally, cocobolo's density translates into
a beautifully clear, bell-like tone, with a piano-like quality to
the low notes.
One of the heaviest, densest rosewoods around, Mexican cocobolo
yields a bright, articulate voice. For this cocobolo/Sitka spruce
offering, cocobolo was also incorporated visually into the inlays
on the front of the guitars. A band of cocobolo trim traces the
top, while the rosette motif features cocobolo as an S-curve that
contrasts with buttery boxwood, a slow-growing wood with a density
comparable to ebony. Boxwood was also used for a new Split Diamond
fretboard inlay, which visually references the rosette's S-curve.
Other wood-rich appointments include a cocobolo backstrap and
figured maple binding. Tonally, cocobolo's density translates into
a beautifully clear, bell-like tone, with a piano-like quality to
the low notes.
The 400 Series LTDs deliver the classic pairing of solid Indian
rosewood and Sitka spruce in an attractive, reasonably priced
package. Beyond the substitution of rosewood (which is normally
offered on the 700, 800 and 900 Series), other value-added cosmetic
upgrades include a small diamond fretboard inlay and gold tuners.
Offered in four different body shapes to appeal to a full range of
playing styles, these guitars make a great option for a gigging
musician — or any level of player — who wants a pro-level, reliable
workhorse that isn't too highly appointed and "precious" to live
out in the world.
The 400 Series LTDs deliver the classic pairing of solid Indian
rosewood and Sitka spruce in an attractive, reasonably priced
package. Beyond the substitution of rosewood (which is normally
offered on the 700, 800 and 900 Series), other value-added cosmetic
upgrades include a small diamond fretboard inlay and gold tuners.
Offered in four different body shapes to appeal to a full range of
playing styles, these guitars make a great option for a gigging
musician — or any level of player — who wants a pro-level, reliable
workhorse that isn't too highly appointed and "precious" to live
out in the world.
The 400 Series LTDs deliver the classic pairing of solid Indian
rosewood and Sitka spruce in an attractive, reasonably priced
package. Beyond the substitution of rosewood (which is normally
offered on the 700, 800 and 900 Series), other value-added cosmetic
upgrades include a small diamond fretboard inlay and gold tuners.
Offered in four different body shapes to appeal to a full range of
playing styles, these guitars make a great option for a gigging
musician — or any level of player — who wants a pro-level, reliable
workhorse that isn't too highly appointed and "precious" to live
out in the world.
A beautifully appointed Grand Auditorium from Taylor. As they
say there's Walnut and then there's this Walnut. Stunning in it's
figure and presentation, this guitar will be one to keep in the
family for years to come. A guitar that looks as good as it sounds.
This won't hang around for long. Come and hear it for yourself.
The GS Mahogany-LTD showcases a limited reserve (75 sets) of
beautifully flamed mahogany that was harvested from hurricane
blowdown. It also has Taylor's premium beveled ebony armrest.
Unique appointments include an abstract "Twist" inlay design
from Taylor's Larry Breedlove, which spirals and wraps between the
7th and 12th frets. Another premium touch on the Sitka spruce top
is Adirondack spruce bracing, whose extra elasticity pairs with
Taylor's CV bracing pattern to add an incredible depth of tone to a
stunning instrument!!!!!
These new limiteds are sensational. With a solid cedar top and
nicely figured walnut back and sides.their tone is significantly
warmer than the standard four series. This model is the ever
popular grand auditorium, Taylors most requested and versatile body
size. Be quick as once they're gone they're gone forever.
Taylor 410ce Limited This guitar is a thing of beauty. The walnut back and
sides is offset by the flamed maple binding and the sound is rich
and creamy.At this price how could you say no. We only have one so
be quick.
This guitar has a warm, vintage voice. The XXXV-TF, a guitar
named so for its 12 frets from the nut to the edge of the body.
This guitar features back and sides made from spectacular AAA-grade
koa and an Engelmann spruce top. SOLD!
