Put your PA behind you
Acoustic Amps
Schertler Unico Classic 200 Watt Grey Amp
$1,599.00 $2,195.00
First introduced in 2003, Schertler's Unico Classic acoustic amp was updated in 2010 with a higher power rating and an improved speaker system. Now delivering a total of 200W, the Unico Classic is housed in a compact plywood cabinet that measures 34 x 31 x 43 cm and weighs just 15.4kg. This incarnation of the Unico has the same mixer layout as its predecessors, with three independent channels and a master section. The only effect on board is reverb, which is produced by a real-life spring rather than a digital emulation.
Sound is delivered by an eight-inch woofer and a one-inch-dome tweeter. The amp is split in two, with 150W feeding the woofer and 35W powering the dome tweeter. Quoted frequency response is 40Hz to 22kHz, and the operating voltage can be switched between 110V and 230V, which is useful.
First introduced in 2003, Schertler's Unico Classic acoustic amp was updated in 2010 with a higher power rating and an improved speaker system. Now delivering a total of 200W, the Unico Classic is housed in a compact plywood cabinet that measures 34 x 31 x 43 cm and weighs just 15.4kg. This incarnation of the Unico has the same mixer layout as its predecessors, with three independent channels and a master section. The only effect on board is reverb, which is produced by a real-life spring rather than a digital emulation. Sound is delivered by an eight-inch woofer and a one-inch-dome tweeter. The amp is split in two, with 150W feeding the woofer and 35W powering the dome tweeter.
Safely recessed into the top of the unit is the control panel. It's set out in a similar way to a conventional mixer, except that the channels are labelled Mic, Dyn and Stat. There's plenty of space around the controls, and the conical rubber knobs have a nice feel. Unfortunately, they aren't centre detented, and I also found the legending rather difficult to read under subdued lighting. I found I had to use an LED torch. The Mic channel, which has a single XLR input, includes switchable 48V phantom power and controls for gain, high and low shelving equalisation and a pair of mid-range frequency controls, all offering a more than adequate range of cut and boost. The 'Rev' control on all three channels adjusts the amount of spring reverb added to the channel, while the volume knob acts just as the channel fader would on a typical mixer: adjusting the level of the signal sent to the main master channel. Less obvious than the mic channel, perhaps, are the other two channels, which include the Dyn channel, designed for Schertler Dyn transducers. In reality this channel is pretty versatile: it's fitted with a Neutrik Combo XLR and jack connector, so it can accept a second mic or line-level pickup input if you don't happen to have a Dyn transducer.
As a clean and natural acoustic instrument amp, as well as a main source of amplification for small acoustic gigs, the Schertler Unico stands comparison with anything currently on the market. It gets an unequivocal thumbs-up in terms of sound quality and portability.
View full product detailsFender Acoustasonic 40
$379.00 $429.00
Great new little acoustic amp from Fender. This little gem fills the gap between the acousta sonic 15 and the 90.
- Output Power / Output: 40 Watts
- Controls: Channel 1: Volume, Bass, Mid, Treble, Reverb. Channel 2: Volume, Bass, Mid, Treble, Reverb.
- Amp Type: Digital
- Speaker: Two - 6.5" Special Design full range speakers with whizzer cones
- Unique Features: Combined 1/4 inch/XLR input jacks, reverb, soundman-friendly balanced XLR line output, 1/8" auxiliary input for use with a media player, 1/8" headphone output; strong, lightweight five-ply hardwood construction.
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Channels:Two
Controls:Channel 1: Volume, Bass, Mid, Treble, Reverb. Channel 2: Volume, Bass, Mid, Treble, Reverb
Inputs:Two - (XLR / 1/4" combined)
Control Knobs:Round Brown Plastic with White Indicator Line
Effects:Reverb
Handle:Molded Plastic Strap with Nickel-Plated Caps
Cabinet Material:5-Ply 5/8" Lightweight Plywood
Acus one Forstrings 6 Simon 130 Watt Amp Wood
$1,449.00 $1,699.00
Equipped with 3 inputs (Two Mic-Line and one Line) with controls for Gain, 3-Band EQ, Effect Send, Volume. The Master Section features Direct Out electronically balanced output, RCA stereo Input and RCA stereo Output.
Stereo volume IN, stereo volume OUT, PHANTOM switch, effect RETURN, and MASTER volume. This great new Simon model has a great wedge design with new black chrome grill.
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Frequency Response Max Power Out System format Woofer Power Tweeter / Horn Power Sensitivity 1W 1m SPL MAX Crossover Woofer size High Freq driver Box Construction Weight Dimensions
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50Hz - 20kHz
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Acus one forstrings 5TW SIMON Amp
Incoming Soon. $1,299.00
Equipped with two separate inputs (one Mic-Line and one Line), with controls for Gain/Volume, 3-Band EQ, Effect Send and Master Volume.
The dedicated AUX input (with its own volume) allows for connecting an mp3 player or iPod.
The system also features an electronically balanced direct output and wedge design with cool new black chrome grill complete this great new model.
INCLUDES A GIG BAG
View full product detailsAER Tommy Emmanuel Compact 60
$1,949.00 $2,099.00
German amp manufacturer AER and guitarist Tommy Emmanuel have formalized their relationship with the release of the new Compact TE signature acoustic amp.
The accomplished Australian fingerstyle player has long been an unofficial AER ambassador and one of the best-known users of the company's products. Over the years, Emmanuel has relied on a number of different AER amps and has recently incorporated the company's Colourizer sound-shaping preamp tool into his rig.
"Our relationship with Tommy began organically several years ago. He has always played our amps 'as-is'," said AER President Udo Roesner. "No tweaks, no hidden secrets. So rather than piling on a list of additional features that Tommy himself has never relied on, we chose instead to give his amp a truly personal feel by incorporating tributes to several of his influences."
The signature amp is based on AER's best-selling Compact 60, the 60W model used most often by Emmanuel.
Aboriginal art etched into one side of the cabinet symbolizes Tommy's deep love for his homeland of Australia and its people, and in particular his connection to Aboriginal Australians.
On the opposite side of the cabinet, Tommy's "TE" initials are carved into the cabinet as well as "CGP"—a tribute to Tommy's mentor Chet Atkins, who bestowed upon Tommy the honorable designation of Certified Guitar Player (C.G.P.). Tommy was one of only five guitarists ever to receive the distinction from Chet.
In another subtle personal touch, AER has incorporated a reverb/delay effect setting from the Alesis Midiverb II, long used by Tommy, into the Compact TE's onboard effects section (in position 3). Additionally, contrary to the standard Compact 60, the DI Out signal will incorporate the effects. Finally, the gig bag strap features signature embroidery.
Inputs (notes 1, 2, 4) channel 1 High impedance, unbalanced input for instruments (pick-ups) and line-level sources Mono jack socket, ¼” (6.35 mm) Sensitivity: 22 mV (–33 dBV) High/low (attenuator) switch: –10 dB Impedance: 2.2 Meg Equivalent input noise, A-weighted: 1 uV (–120 dBV) Phantom power (optional): 9 V DC / max. 100 mA, short-circuit protected Switchable instrument or microphone input Combo socket, XLR + jack ¼” (6.35 mm) line mode High impedance, unbalanced input for instruments (pick-ups) and line-level sources Jack socket only Sensitivity: 27 mV (–31 dBV) Impedance: 1 Meg Equivalent input noise, A-weighted: 2.4 uV (–112 dBV) channel 2 mic mode XLR (balanced), stereo jack (balanced), or mono jack (unbalanced) input Sensitivity: 3.3 mV (–50 dBV) Impedance (balanced mode): 1.2 k Impedance (unbalanced mode): 2.7 k Voice filter: –10 dB at 270 Hz (referred to 10 kHz) Equivalent input noise, A-weighted: 0.8 uV (–122 dBV) Phantom power (XLR only): 48 V, max. 10 mA, short-circuit protected clip indicators for ch. 1 and 2 Headroom: min. 8 dB return Input from external parallel effect loop, or supplementary input, before master volume Mono jack, ¼” (6.35 mm) Sensitivity: 320 mV (–10 dBV) Impedance: 20 k (note: impedance changes to 5 k while external effect is switched OFF by footswitch) Outputs (note 3) phones Headphones output. When plugged in, internal speaker is muted. Stereo jack socket, L/R connected, ¼” (6.35 mm) Max. output power: 2 x 100 mW / 1000 ohm Input sensitivity for 2 x 50 mW / 1000 ohm: 23 mV (–33 dBV) at channel 1 input Impedance: 470 ohm (common for L and R) Note: Suitable for headphones with stereo jack. Does not work with mono jacks. tuner Tuner output Mono jack socket ¼” (6.35 mm) Output voltage: 340 mV (–9 dBV) line out Preamplifier output after tone controls, with effects, and after master volume Mono jack, ¼” (6.35 mm) Output voltage: 1.4 V (+3 dBV) DI-out Balanced XLR output before master, after tone controls, without effects 1 = ground 2 = positive 3 = negative Differential output voltage: 140 mV (–17 dBV) send Output to external parallel effect loop Before master, after tone controls Mono jack, ¼” (6.35 mm) Output voltage: 1.4 V (+3 dBV) Footswitch connector footswitch Stereo jack socket ¼” (6.35 mm) for a dual footswitch Tip = internal effect on/off Ring = external effect on/off Sleeve = common (ground) Effect is OFF when the footswitch is ON. Tone controls ch. 1 colour –3 dB at 700 Hz, +10 dB at 8 kHz bass 8 dB at 100 Hz (shelf type) middle 6 dB at 800 Hz treble 8 dB at 10 kHz (shelf type) ch. 2 bass 8 dB at 100 Hz (shelf type) treble 11 dB at 10 kHz (shelf type) Effects Internal effects 1 Reverb 1 2 Reverb 2 3 Delay 4 Chorus External effect Parallel effect loop (see also send and return). eff. pan Blends both internal and external effects between channels 1 and 2, with reverse direction of rotation for the external effects. Power Power amp 60 W / 4 ohm, DMOS, monolithic I.C. Dynamic range, A-weighted: 92 dB (note 2) Limiter threshold 50 W Analog signal processing Dedicated equalizer, subsonic filter, adaptive peak limiter Speaker system 8” (200 mm) twin cone full-range speaker, bass reflex enclosure Mains power Mains voltage (depending on model): 100, 120, 230, or 240 V AC, 50–60 Hz Power consumption: max. 120 W Mains fuse 5 x 20 mm T 1 A L / 250 V for 230 and 240 V models T 2 A L / 250 V for 100 and 120 V models General Cabinet 12 mm (0.47”) birch plywood Finish Waterbased acrylic, black spatter finish (standard model) Dimensions 260 mm (10.2“) high 325 mm (12.8“) wide 235 mm (9.25“) deep Weight 6.5 kg (14.3 lbs) Notes: 1. Sensitivity Input sensitivities refer to 50 W into 4 ohm, full gain and master settings, neutral tone control settings, and 1 kHz sine-wave test signal. 2. Noise and dynamic range Equivalent input noise voltages are typical values obtained by measuring noise voltage at speaker output and dividing by the voltage gain of the amplifier for white noise. Full gain and master settings, neutral tone control settings, input shorted, measuring bandwidth 20 Hz – 20 kHz. Dynamic range of power amplifier: Ratio of between output signal at limiter threshold to A-weighted output noise with master in zero position. 3. Output levels Output levels refer to 50 mV / 1 kHz sine-wave test signal at channel 1 input, full gain and master settings, neutral tone control settings, send fully clockwise. 4. Options Gain of channel 2 in mic mode can be decreased by 4.6 dB by an internal jumper. 48 V phantom power can be deactivated by an internal jumper. 9 V phantom power for channel 1 can be applied by an internal jumper to the “ring” terminal of the input jack. Caution: Use this option with care. Read the operating instructions. Specifications and appearance subject to change without notice.
Acus one Forstreet MOBILE 80 Watt Amp Black
$1,449.00 $1,699.00
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One forstreet is the first battery-powered amplifiers of Acus One family. Includes a gig bag
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Bose 042533 T1 Audio Engine Power supply
Incoming Soon.
Provides power for the ToneMatch audio engine when used with an L1 Compact
View full product details
Acus One-8 Wood Acoustic Amplifier
Incoming Soon. $1,999.00
Acus one Forstreet MOBILE 80 Watt Amp Wood
$1,449.00 $1,699.00
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One forstreet is the first battery-powered amplifiers of Acus One family. Includes a gig bag
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Acus one Forstrings 6 130 Watt Amp Black
$1,349.00 $1,599.00
Equipped with 3 inputs (Two Mic-Line and one Line) with controls for Gain, 3-Band EQ, Effect Send, Volume. The Master Section features Direct Out electronically balanced output, RCA stereo Input and RCA stereo Output.
Stereo volume IN, stereo volume OUT, PHANTOM switch, effect RETURN, and MASTER volume.
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Frequency Response Max Power Out System format Woofer Power Tweeter / Horn Power Sensitivity 1W 1m SPL MAX Crossover Woofer size High Freq driver Box Construction Weight Dimensions
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50Hz - 20kHz
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Schertler Jam 5 Channel 200 Watt Wood Amp
$1,550.00 $1,899.00
JAM becomes the third member of Schertler’s “next generation” acoustic amplification series. The new 5-channel “all-rounder” combines a comprehensive feature set with the updated technology and enhanced “look” that defines all the models in this latest range.
Equipped with a 1” dome tweeter and 8” woofer, and featuring an optimized 2-way bass reflex construction, JAM offers 200W (150W + 50W) of bi-amplified power. The amplifier includes a balanced microphone (XLR) input, an unbalanced mic/instrument input and an input offering both balanced microphone and unbalanced mic/instrument options. Both instrument inputs feature a Bootstrap technology that enables the input to automatically adapt to any impedance. A separate stereo input channel will additionally accommodate devices such as a computers, MP3 or CD/DVD players. A 5th FX Return channel can also be used for inputting line level devices.
The 3 main microphone/instrument input channels include a Gain control for input sensitivity regulation and 3-band EQ, with parametric mids on input channels 1 and 3 and a switchable resonance (notch) filter (240Hz/150Hz) on channel 2. Phantom power is supplied for condenser and electrostatic microphones. Each of these channels also features an overload LED. Channel 1 is additionallyequipped with a phase reverse switch to prevent feedback, or unwanted effects between the various channels.
JAM’s Master Section controls include a new adjustable DI Out, a new Mute button, a Line Out enabling the connection of externalsystems, a digital reverb and an Insert for connecting an external dynamics processor. Connection options are further enhanced with an Aux Out (Channel 1) that also enables connection to other systems. A Low Cut filter (cutting frequencies below 180Hz) can be used with instruments that generate aggressive low frequencies. This also enables a separate subwoofer to be connected without causing any damage to the amplifier. JAM is additionally equipped with a high voltage CLASS-A preamp that has no integrated circuits and No Negative Feedback (NFB).
JAM is available in wood and anthracite versions. View full product details
Schertler Jam 5 Channel 200 Watt Grey Amp
$1,550.00 $1,899.00
JAM becomes the third member of Schertler’s “next generation” acoustic amplification series. The new 5-channel “all-rounder” combines a comprehensive feature set with the updated technology and enhanced “look” that defines all the models in this latest range.
Equipped with a 1” dome tweeter and 8” woofer, and featuring an optimized 2-way bass reflex construction, JAM offers 200W (150W + 50W) of bi-amplified power. The amplifier includes a balanced microphone (XLR) input, an unbalanced mic/instrument input and an input offering both balanced microphone and unbalanced mic/instrument options. Both instrument inputs feature a Bootstrap technology that enables the input to automatically adapt to any impedance. A separate stereo input channel will additionally accommodate devices such as a computers, MP3 or CD/DVD players. A 5th FX Return channel can also be used for inputting line level devices.
The 3 main microphone/instrument input channels include a Gain control for input sensitivity regulation and 3-band EQ, with parametric mids on input channels 1 and 3 and a switchable resonance (notch) filter (240Hz/150Hz) on channel 2. Phantom power is supplied for condenser and electrostatic microphones. Each of these channels also features an overload LED. Channel 1 is additionallyequipped with a phase reverse switch to prevent feedback, or unwanted effects between the various channels.
JAM’s Master Section controls include a new adjustable DI Out, a new Mute button, a Line Out enabling the connection of externalsystems, a digital reverb and an Insert for connecting an external dynamics processor. Connection options are further enhanced with an Aux Out (Channel 1) that also enables connection to other systems. A Low Cut filter (cutting frequencies below 180Hz) can be used with instruments that generate aggressive low frequencies. This also enables a separate subwoofer to be connected without causing any damage to the amplifier. JAM is additionally equipped with a high voltage CLASS-A preamp that has no integrated circuits and No Negative Feedback (NFB).
JAM is available in wood and anthracite versions. View full product details
Yamaha THR10X High Gain 10 Watt Mini Gtr Amp
$379.00 $449.99
THR10X is dedicated to guitarists that want more gain, more distortion and the unmatched response of a cranked high-output stack. With 5 different channels from 3 amps, all delivering dynamic, intense distortion, THR10X perfectly delivers the subtly different distortion characteristics of each amp or channel to give a tone and response perfectly suited to everything from classic rock to extreme metal.
View full product detailsBose F1 Subfoofer Travel Bag
$189.00
Finally the Flex system bags have arrived. They might not be cheap, but the quality is good. Protect your investment with one of these great Bose bags.
This bag is to fit the subwoofer.
Bose F1 812 Travel Bag
$189.00
Finally the Flex system bags have arrived. They might not be cheap, but the quality is good. Protect your investment with one of these great Bose bags.
This is for the top box.
Yamaha THR10C 10 Watt Mini Gtr Amp
$379.00 $449.99
THR10C takes the personal-amp concept to a new level of audio fidelity. The finest tube amps respond to a player’s every touch – with picking dynamics and playing style adding as much to the tone as your guitar and pickups. Using Yamaha’s exclusive VCM (Virtual Circuitry Modelling) technology, THR10C perfectly recreates the unmistakable response and dynamics that only a boutique tube combo can provide.
View full product detailsFender Acoustic Sfx Stereo 2 X 80 Watts
$1,799.00 $1,999.00
FENDER ACOUSTIC SFX STEREO 2 X 80 WATTS
A fantastic brand new amplifier from Fender. Stylish, hi-tech & it sounds incredible.
The Fender Acoustic SFX amplifier gives acoustic players full, natural tone and stunning Stereo Field Expansion technology (SFX), which goes beyond stereo for room-filling tonal imagery that envelops the listener in a rich acoustic experience. Its gracefully curved, acoustically designed wood shell complements an acoustic guitar’s form and speaks to the aesthetic sensibilities of the acoustic musician.
The perfect portable system for solo performances in a variety of venues, the Acoustic SFX has two universal channels designed for instrument or microphone use, each with its own selection of studio-quality effects.
Exciting multi-dimensional SFX sound reproduction brings effects such as hall reverb, echo, delay and Vibratone to even more dynamic life by literally moving them around the listening area, be it a coffeehouse, pub or living room. Other convenient player features include an integrated handle that also holds personal mobile devices for playback of recorded material, and a fitted cover.
For the discerning player in search of an eye-catching piece of acoustic architecture, the Acoustic SFX offers state-of-the-art technology for a lush sonic experience unlike any other. The ultimate solution for acoustic players, the lightweight design and portability suit anyone looking for a grab-and-go rig for small venues, offering a pleasing sound image to people located all throughout the room. Acoustic SFX has two universal channels designed for use with guitars or microphones, each with its own 1⁄4"-XLR combo jack and spectacular studio-quality effects. The multi-dimensional, stunning Stereo Field Expansion technology (SFX) goes beyond stereo for room-filling tonal imagery that envelops the listener in a rich acoustic experience. The amp imparts exciting, dynamic life to the onboard hall reverb, echo, delay and Vibratone effects—literally moving them around the listening area for amazingly deep tone. The integrated handle doubles as convenient cradle for mobile playback devices—perfect for adding accompaniment to your performance via the Aux In jack.
Other performance-friendly features include feedback-reducing phase switches, line output, fitted cover and a footswitch jack for the optional two- button effect bypass footswitch. From first glance, the Acoustic SFX amplifier is the essence of form and function. The cabinet has been dutifully constructed not only for stunning good looks, but also for enhanced resonance and projection. As sleek as it is practical, the smooth wooden shell and bent plywood construction are the perfect combination of high-grade materials and sleek, modern curvature, designed to enhance the outward projection of your guitar tone. Coalescing with these distinguished cosmetic touches are an elegant grille cloth and expanded control panel, making the Acoustic SFX the perfect specimen in tonal flexibility and sophistication.
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Bose F1 Powered Subwoofer
$1,699.00 $1,949.00
The Bose F1 Model 812 Flexible Array loudspeaker is the first powered portable loudspeaker that lets you control its vertical coverage pattern. Simply choose among four different settings. Whether you’re playing at floor level, on a stage, or facing raked seats or bleachers, you can now adapt your PA to match the room. And once set, the system automatically changes the EQ to maintain optimum tonal balance for each coverage pattern. So, wherever you’re playing, you can have the right coverage for the right room.
For extended bass
When you need more powerful bass, simply add the Bose F1 Subwoofer. It packs all the power of a larger bass box into a more compact design that’s easier to carry and fits in a car. A mounting stand for the loudspeaker is integrated right into the body of the subwoofer, so you always know where it is, making setup fast and easy. The stand even includes cable channels to neatly hide the wires.
The loudspeaker and subwoofer each have 1,000 watts of power, so you can fill nearly any venue with sound.
Bose F1 812 Flex Array Loudspeaker
$1,699.00 $1,949.00
The Bose F1 Model 812 Flexible Array loudspeaker is the first powered portable loudspeaker that lets you control its vertical coverage pattern. Simply choose among four different settings. Whether you’re playing at floor level, on a stage, or facing raked seats or bleachers, you can now adapt your PA to match the room. And once set, the system automatically changes the EQ to maintain optimum tonal balance for each coverage pattern. So, wherever you’re playing, you can have the right coverage for the right room. The eight drivers on the F1 Model 812 Flexible Array loudspeaker are mounted on a specially designed flexible baffle. Simply push or pull the array into position to create four vertical coverage patterns: “Straight,” ”J,” “Reverse J” or “C.” Once set, the system automatically changes the EQ to maintain optimum tonal balance for each unique coverage pattern.
SPECS
Dimensions/weight
- F1 Model 812 loudspeaker:26.1" H x 13.1" W x 14.6" D (44.5 lbs)
- F1 system stack:73.5" H x 16.1" W x 17.6" D (101.5 lbs)
In the box
- 1 F1 Model 812 loudspeaker
- 1 IEC line cord
- 1 Owner’s guide
Additional details
- F1 Model 812: High impact composite materials
- Frequency response (-3 dB): 52 Hz - 16 kHz
- Frequency range (-10 dB): 43 Hz - 20 kHz
- Nominal dispersion: C: 100° H x 40° V
- Maximum SPL @ 1 m: 132 dB SPL (peak)
- Rated power: 1,000 W
Yamaha Thr5A 5 Watt Mini Stereo Gtr Amp
$309.00 $349.00
The Yamaha THR5A is optimized for use with electric-acoustic and Silent Guitars. Utilising advanced modeling technologies developed by Yamaha, THR5A offers simulations of classic tube condenser and dynamic mics combined with studio-grade effects to create recording-studio tone direct from your guitar and wherever you are. This fantastic little amp runs on either DC or batteries and looks, oh so cool to boot!
Developed by a team of guitarists in search of the ultimate tone, THR delivers the sound that you want and the feeling that you need. Effects that enhance and complement your playing combine with room-filling reverbs and delays to push your playing to new levels. And thanks to THR's unique design and focus, stadium-filling volume isn't a pre-requisite - everything about this amp is designed to fit the way you play, right down to the need to keep it quiet sometimes. With tone and feel like this, you'll appreciate the ability to keep playing all night
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Yamaha Thr10 10 Watt Mini Gtr Amp
$379.00 $449.99
Conventional amps work great on stage, but what about everywhere else you play? THR is designed to truly fit where, when and how you play off-stage. Designed by people on the search for tone, Yamaha's Virtual Circuitry Modeling technology delivers amp sounds that respond exactly like real tube amps, incredibly realistic effects and hi-fi quality stereo playback - all at low volumes. Be prepared to spend a lot more time playing guitar. This is a fantastic and very, very cool little general purpose amp designed for either Bass guitar, Electric guitar or Acoustic guitar will run on either DC or batteries.
Oh, and did we mention how cool it looks.
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Aer Compact 60 Slope/Wedge
$1,749.00 $1,899.00
AER COMPACT 60 SLOPE/WEDGE
The compact 60 has proven that there is an all-round, small, powerful and yet simple to use complete solution for stage, studio and home use that works up to the highest demands and standards of acoustic players. 60 Watts, dynamic control, 8" (200 mm) twin cone speaker, Twin channel, 3 and 2 band EQ, Digital effect processor with 4 presets (2 x reverb/delay/chorus) 6,5 kg.
This New model comes in a sloped wedge format for a more direct impact on the player in a live situation. Comes with a padded shoulder bag.
Roland Cube-Street Ex
$899.00 $949.00
ROLAND CUBE-STREET EX
With its compact size and battery-powered operation, Roland’s CUBE Street was a huge hit among traveling musicians. Now, the new CUBE Street EX infuses the popular mobile amp with a huge performance upgrade that delivers more projection, more channels, and more versatility. 50 big watts of power and a stereo speaker system with dual woofers and tweeters provide clean, punchy sound for larger crowds, while four independent channels offer abundant connections for a variety of mics and instruments. Detailed sound adjustment is available with separate EQ and reverb controls, and great guitar tones are dialed in easily with the onboard COSM amps. Selectable power modes provide up to 20 hours of operation with eight AA batteries, and two CUBE Street EX units can be linked together for more sound coverage if needed. And with i-CUBE LINK, you can even plug in your iPhone or iPad to play backing music and record your performances
View full product detailsBose L1 Model 1S With B1 Bass + Tonematch. Free Delivery
$3,399.00 $3,895.00
- Recommended for audiences up to 300
- 12-speaker articulated line array delivers 180-degree horizontal sound coverage
- Produces consistent tonal balance with less volume drop-off over distance
- Lightweight, interconnecting pieces allow for easy transport, setup and breakdown
- Four-channel ToneMatch audio engine with studio class effects
- B1 bass module included
The vertical configuration of the system's small, closely spaced drivers allows the L1 Model 1S system to project sound forward and to the sides—delivering 180-degree coverage—but very little up and down, reducing unwanted reverberation. This produces consistent tonal balance as sound spreads more evenly across the stage and into the audience, and the volume level drops off much more slowly than with a conventional speaker.
Unique Bose® technologies enable the system to serve as both PA and monitor. It can be positioned behind or to the side of the performer—and you hear just what the audience hears. You're in control, and there's no need for conventional monitors, mixers and PA systems.
- Spatial Dispersion™ and Articulated Array® speaker technologies in the loudspeaker produce wide, uniform sound coverage. The 12 small drivers are arranged using Articulated Array speaker technology in a slim, vertical enclosure—creating nearly 180 degrees of horizontal coverage and consistent tonal balance.
- Integrated power amplifiers in the power stand provide clean, precise amplification for L1 Model 1S system with up to two B1 bass modules or one B2 bass module.
- ToneMatch® port on power stand for digital audio and power connection to ToneMatch audio engine.
- Analog input, trim control and signal/clip LED for line-level analog input via ¼" TRS phone cable. Can be used for instruments or other audio sources like DJ mixers, MP3 players, computers or DVD systems.
- Bass module out for amplified bass output signal to the bass module. L1 system automatically adjusts equalization appropriately when bass modules are connected.
- Interlocking design of the four lightweight components eliminates the need for speaker stands and speaker wires. Setup takes only minutes.
- Retractable legs provide stability for streamlined power stands and loudspeakers. Four retractable legs fold out of power stand simultaneously for quick setup and compact transport.
- Convenient carry bags—one each for the loudspeaker, power stand and bass module—make getting to and from your gig that much easier.
B1 bass module
- Highly efficient speaker design features two 5.25" (13.3 cm), high-output, high-excursion drivers that produce deep, strong bass from a small enclosure. When connected to power stand, active equalization circuitry automatically adjusts bass signal appropriately.
- Compact, lightweight enclosure is easy to transport, set up and break down. Small footprint takes up considerably less space than traditional bass cabs required for same performance. Interlocking feet let you securely stack up to four modules together on their sides.
Bose L1 Model 2 System Plus B2+T1 Tone Match Free Delivery
$4,499.00 $5,075.00
- BOSE L1 MODEL 11 SYSTEM PLUS B2+T1 TONE MATCH
- Bose Spatial Dispersion loudspeaker technology delivers our smoothest, most consistent sound coverage and tonal balance
- Optional, expandable bass plus four-channel T1 engine with over 100 ToneMatch presets and a suite of studio-class effects on each channel
- Ideal for professional musicians and mobile DJs
- Supplied with B2 bass box
Spend less time setting up your gear and more time enjoying it. The new L1 Model 1S portable line array system delivers a potent combination of portability and performance. It's compact and light enough to make setup quick and easy, yet powerful enough to fill a mid-sized venue. And the ToneMatch audio engine provides a suite of studio-class effects and tone-shaping tools to give you just the sound you're looking for. Includes one B2 bass module for more flexibility and even greater power at the low end.
Put your PA behind you
The vertical configuration of the system's small, closely spaced drivers allows the L1 Model 1S system to project sound forward and to the sides—delivering 180-degree coverage—but very little up and down, reducing unwanted reverberation. This produces consistent tonal balance as sound spreads more evenly across the stage and into the audience, and the volume level drops off much more slowly than with a conventional speaker.
Unique Bose® technologies enable the system to serve as both PA and monitor. It can be positioned behind or to the side of the performer—and you hear just what the audience hears. You're in control, and there's no need for conventional monitors, mixers and PA systems.
Convenience to go
The three components of the L1 Model 1S system—upper array, lower extension and power stand—connect quickly and easily without the need for separate speaker stands. Setup and breakdown take just minutes. And everything stores neatly into the included carry bags, making transport easy too.
Fishman Loudbox Performer
$1,499.00 $1,899.00
FISHMAN LOUDBOX PERFORMER
The newly re-designed Loudbox Performer offers more power and enhanced features in a lighter, more efficient design.
Our most powerful acoustic amplifier, the Loudbox Performer features 180 watts of transparent bi-amplified acoustic sound and two versatile input channels that accept 1/4" and XLR sources. Each channel includes Fishman's renowned 3-band EQ, feedback-fighting controls, and a new effects section for more tonal options than ever before.
The dedicated midrange provides enhanced detail and note definition over conventional 2-way designs. An improved, integrated kickstand design allows the Loudbox Performer to be tilted back 50 degrees for better sound projection at short range.
Fishman Loudbox Artist
$1,099.00 $1,399.00
FISHMAN LOUDBOX ARTIST
The new Loudbox Artist is an evolution in acoustic amplifiers. It leverages the award-winning design of the Loudbox 100, yet packs more power and enhanced features into an incredibly lightweight and portable package.
120 watts of ultra-clean, bi-amplified acoustic power, two versatile input channels featuring Fishman's legendary tone and feedback-fighting controls, plus a new dual effects section make the new Loudbox Artist the ultimate portable acoustic instrument amplifier for the seriously active musician.FISHMAN LOUDBOX ARTIST
Fishman Loudbox Mini
$499.00 $799.00
FISHMAN LOUDBOX MINI
Fishman's lightest and most portable amp yet, Loudbox Mini delivers the tonal quality that has made the Fishman name the standard for great acoustic sound. The Loudbox Mini packs 60Watts of clean acoustic power, and has two channels featuring Fishmans legendary preamp and tone control designs, plus digital reverb and chorus for the instrument channel and reverb for the microphone channel. The Loudbox Mini sports an MP3 input and balanced XLR D.I. output a must for jamming along and capturing your performances. If you're looking for great sound to inspire your practice sessions, or just need a big, yet portable voice at the local open mic night, look no further than the affordable new Loudbox Mini.
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Schertler Jam 100 Grey
$1,079.00 $1,299.00
SCHERTLER JAM 100 GREY
An ideal amp for any musical situation. The 100W compact JAM 100 is equipped with a 1" dome tweeter and 6" woofer offering a good, honest sound quality. Three independent channels plus a CD input (Phono connection) enable the simultaneous connection of several instruments. Channels 1 and 2 offer XLR connections with phantom power as well as Hi-Z line inputs. Other features include 3-band EQ, digital reverb and an intuitive compact control surface enabling easy set-up and adjustment. These amazing amps are built in Italy and come in a choice of wood or grey finish.
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Schertler Jam 100 Wood
$1,079.00 $1,299.00
SCHERTLER JAM 100 WOOD
An ideal amp for any musical situation. The 100W compact JAM 100 is equipped with a 1" dome tweeter and 6" woofer offering a good, honest sound quality. Three independent channels plus a CD input (Phono connection) enable the simultaneous connection of several instruments. Channels 1 and 2 offer XLR connections with phantom power as well as Hi-Z line inputs. Other features include 3-band EQ, digital reverb and an intuitive compact control surface enabling easy set-up and adjustment. These amazing amps are built in Italy and come in a choice of wood or grey finish.
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Fender Acoustasonic 150
$999.00 $1,149.00
FENDER ACOUSTASONIC 150
The new Fender Acoustasonic 150 is perfect for the acoustic guitarist who needs a light, loud, versatile and flexible amp loaded with tonal innovations and useful features.The Acoustasonic 150 packs full acoustic resonance and crystal clarity into a lightweight amp with a new ultra-efficient 150-watt (2x75) stereo power amp, dual 8" foam-surround low-frequency drivers and high-frequency tweeter. Its new Voicing control lets any guitar simulate the tonality of parlor, dreadnought and jumbo acoustics, or Voicing can be turned off for pure amp output response. For acoustic players who double on electric guitar, the Voicing control also has Blackface, tweed and British amp settings, which makes a second amp just for electric guitar unnecessary., Other features include instrument and microphone channels with independent EQ and effects controls; new feedback elimination control with on/off switch for each channel; patented String Dynamics control that tames harsh treble notes; effects including reverb, delay, chorus, Vibratone, and more; XLR line out with level control and ground lift; stereo effects loop; USB connector for digital recording output (and possible future firmware updates); strong five-ply plywood construction and optional two-button effects select footswitch.
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Fender Acoustasonic 90
$599.00 $669.00
FENDER ACOUSTASONIC 90
The Fender Acoustasonic 90 is perfect for the acoustic guitarist who needs compact, powerful and affordable amplification. With its 90-watt power amp, 8" cloth-surround low-frequency woofer and high-frequency tweeter, it packs stage-worthy performance into a lightweight combo.The Acoustasonic 90 also delivers a wealth of other versatile features, including instrument and microphone channels with independent tone and effects controls; smart feedback elimination circuit with on/off switch for each channel; studio-quality effects including reverb, echo/delay, chorus, Vibratone and more; XLR line output with ground lift; auxiliary input external media player use; strong but lightweight five-ply hardwood construction; and a classic Fender look with brown textured vinyl covering, black grille cloth and chrome hardware. Optional two-button effects-select footswitch also available.
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Bose T1 Tonematch Audio Engine
$799.00 $899.00
BOSE T1 TONEMATCH AUDIO ENGINE
- Features our largest library of customised ToneMatch presets for a variety of popular microphones and instruments
- Four input channels with independent selection of ToneMatch presets and effects
- Includes proprietary zEQ for precise tone control, plus a complete suite of studio-class effects and processing
- Works with any L1 system but will need a
042533 power supply if used with the L1 Compact
Roland Micro Cube
$239.00 $259.00
ROLAND MICRO CUBE
With the Micro Cube, guitarists get a genuine Roland Cube amp in an ultra-compact package that even runs on batteries. Weighing in at just a few pounds, the Micro Cube packs a big punch and comes with six DSP effects, Amp Modeling and a new Digital Tuning For giving guitarists everything they need for killer tone on the go.
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Bose L1 Compact, Free Delivery
$1,489.00 $1,649.00
BOSE L1 COMPACT.
The Bose L1 is the perfect PA set up for the solo, duo or small band set up. These loudspeakers deliver wide horizontal sound coverage and our smoothest tonal balance—across the stage and throughout the room. Lightweight and modular, this sleek system fits easily into a car trunk and takes just a few minutes to set up.
Integrated power amplifiers in the power stand provide clean, precise amplification for L1 Model II system with up to two B1 bass modules.
Spatial Dispersion® and Articulated Array speaker technologies in the loudspeaker produce wide, uniform sound coverage. The 24 small drivers are arranged using Articulated Array speaker technology in a slim, vertical enclosure—creating nearly 180 degrees of horizontal coverage and consistent tonal balance. The loudspeaker's two-piece, interlocking design makes for quick and easy setup, breakdown and transport.
- Designed for audiences up to 100
- 6 small speakers in line array
- Two built-in channels; two ToneMatch- presets
- Integrated bass in power stand; not expandable
- Extended (200cm H) and collapsed (42cm H) setup options
Roland Cube-Street
Incoming Soon. $549.00
ROLAND CUBE-STREET
If you're a musician who's on the move, the new CUBE Street is for you. Whether you're running to a rehearsal, lesson, street gig, or any situation that requires portability and versatility, the CUBE Street is a battery-powered marvel that's ready to travel fast. The CUBE Street sounds amazing and is capable of high-volume output thanks to dual (or two) digital power amps and a pair of high-performance neodymium speakers. And just wait until you hear the built-in effects and amp models!
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Roland AC-60 Acoustic Amplifier
Incoming Soon. $849.00
ROLAND AC-60 ACOUSTIC AMPLIFIER
Although there are many acoustic amps on the market today, few of them can compete with the rich, natural tone of the compact AC-60 Acoustic Chorus amplifier. This innovative stereo amp uses sophisticated digital signal processing to deliver a crisp sound with lush stereo/multi-band chorus including a new wide mode plus delay/reverb and impressive Auto Anti-Feedback control. And with its 2-channel Mic/Line design and stand-mountable configuration, the AC-60 is clearly heads above the competition.
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AER Compact Mobile Amp
$2,339.00 $2,599.00
AER COMPACT MOBILE AMP
Based on the Compact 60, thus identical in sound, but with adapted technology and slightly changed dimensions, you can play up to 4 hours without the mains. Whether you choose to play in the main street or on the beach, the sound is always clear and omnipresent.
In case of insufficient battery power the intelligent power control gives a warning and saves you from lack of power during performance. Moreover it prevents the batteries from being completely exhausted.
Technical specifications Compact Mobile2 – page 1 www.aer-amps.com CompactMobile2 - 2012_07_GB Technical data Inputs High impedance, unbalanced instrument or line input Mono jack socket, ¼“ (6.35 mm) Min. input voltage: 22 mV (–33 dBV) Max. input voltage: 5 V (+14 dBV) Input impedance: 2.2 M || 350 pF Equivalent input noise voltage (A-weighted): 1.5 μV (– 117 dBV) High/low (attenuator) switch: –10 dB Phantom power: Optional (see notes), 9 V DC / max. 100 mA, on ring of input jack, short circuit protected channel 1 clip indicator Headroom: min. 6 dB Switchable line / microphone input Combo socket, XLR + jack ¼” (6.35 mm) line mode (via jack input only) High impedance, unbalanced instrument or line input Min. input voltage: 27 mV (–31 dBV) Max. input voltage: 7 V (+17 dBV) Input impedance: 2.2 M || 350 pF Equivalent input noise voltage (A-weighted): 2.4 μV (– 113 dBV) mic mode Microphone input, XLR (balanced), stereo jack (balanced), or mono jack (unbalanced) 1 / sleeve = ground, 2 / tip = positive (+), 3 / ring = negative (–) Min. input voltage: 3.3 mV (–50 dBV) with low-gain option: 5.8 mV (–45 dBV) Max. input voltage: 1 V (0 dBV) with low-gain option: 1.8 V (+5 dBV) (see notes) Input impedance (balanced): 1.2 k Input impedance (unbalanced): 2.7 k Voice filter: –10 dB at 270 Hz referred to 10 kHz Equivalent input noise voltage (A-weighted): 0.9 μV (–121 dBV) Phantom power: XLR only, 48 V, switchable, R = 6.8 k per terminal, max. 10 mA total, short-circuit protected channel 2 clip indicator Headroom: min. 6 dB aux in Auxiliary stereo input, e.g. for CD player Cinch (RCA) sockets, L / R Level adjustable by aux level Min. input voltage: 100 mV (–20 dBV) Max. input voltage: 3.5 V (+11 dBV) Input impedance: 22 k return Input from external parallel effect loop, or supplementary input Mono jack, ¼” (6.35 mm) Min. input voltage: 320 mV (–10 dBV) Max. input voltage: 5 V (+14 dBV) Input impedance: 20 k (but 5 k while external effect is switched OFF by footswitch) Outputs line out Line output after master, with aux in and effects Mono jack, ¼” (6.35 mm) Output voltage: 700 mV (–3 dBV) Output impedance: 100 Min. load impedance: 2 k Residual noise (A-weighted): 4.5 μV (–107 dBV) headphones Headphones output Stereo jack socket, ¼” (6.35 mm), L/R connected When plugged in, internal speaker is muted. Output power at rated conditions: 2 x 8 mW / 32 Max. output power: 2 x 100 mW / 1000 Output impedance: 470 (common for L/R) Min. load impedance: not limited Note: Suitable for stereo headphones with stereo jack only. Not functional with mono jacks. send Output for external parallel effect loop, before master, after tone controls Mono jack, ¼” (6.35 mm) Output voltage (efx pan fully clockwise): 900 mV (–1 dBV) Output impedance: 47 Min. load impedance: 2 k tuner Tuner output, after tone controls, before effects and master Mono jack, ¼” (6.35 mm) Output voltage: 225 mV (–13 dBV) Output impedance: 47 Min. load impedance: 2 k DI-out Balanced, non-isolated XLR output, after tone controls, without aux in and effects 1 = ground, 2 = positive (+), 3 = negative (–) Output voltage (differential): 93 mV (–21 dBV) Output impedance: 47 , each terminal to ground Min. load impedance (differential): 1 k Footswitch connector footswitch Connector for a dual footwitch Stereo jack, ¼” (6.35 mm) Tip = internal effect on/off Ring = external effect on/off Sleeve = common (ground) Function: Switch ON = effect OFF Tone controls colour –3 dB at 700 Hz +10 dB at 8 kHz bass 8 dB at 100 Hz (shelf type) middle 6 dB at 800 Hz Channel 1 treble 8 dB at 10 kHz (shelf type) Channel 2 bass 8 dB at 100 Hz (shelf type) treble 11 dB at 10 kHz (shelf type) Effects Digital effect processor 1 Reverb (short predelay) 2 Reverb (long predelay) 3 Delay (320ms, repetitive) Internal effects 4 Chorus External effects Parallel effect loop, see send and return efx pan Blends both internal and external effects between channels 1 and 2, with reverse direction of rotation for the external effec
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AER Compact 60
$1,699.00 $1,899.00
AER COMPACT 60
The compact 60 has proven that there is an all-round, small, powerful and yet simple to use complete solution for stage, studio and home use that works up to the highest demands and standards of acoustic players. 60 Watts, dynamic control, 8" (200 mm) twin cone speaker, Twin channel, 3 and 2 band EQ, Digital effect processor with 4 presets (2 x reverb/delay/chorus) 6,5 kg. Comes with a padded shoulder bag.
Technical specifications TD20120605 Technical data Inputs (notes 1, 2, 4) channel 1 High impedance, unbalanced input for instruments (pick-ups) and line-level sources Mono jack socket, ¼” (6.35 mm) Sensitivity: 22 mV (–33 dBV) High/low (attenuator) switch: –10 dB Impedance: 2.2 Meg Equivalent input noise, A-weighted: 1 uV (–120 dBV) Phantom power (optional): 9 V DC / max. 100 mA, short-circuit protected Switchable instrument or microphone input Combo socket, XLR + jack ¼” (6.35 mm) line mode High impedance, unbalanced input for instruments (pick-ups) and line-level sources Jack socket only Sensitivity: 27 mV (–31 dBV) Impedance: 1 Meg Equivalent input noise, A-weighted: 2.4 uV (–112 dBV) channel 2 mic mode XLR (balanced), stereo jack (balanced), or mono jack (unbalanced) input Sensitivity: 3.3 mV (–50 dBV) Impedance (balanced mode): 1.2 k Impedance (unbalanced mode): 2.7 k Voice filter: –10 dB at 270 Hz (referred to 10 kHz) Equivalent input noise, A-weighted: 0.8 uV (–122 dBV) Phantom power (XLR only): 48 V, max. 10 mA, short-circuit protected clip indicators for ch. 1 and 2 Headroom: min. 8 dB return Input from external parallel effect loop, or supplementary input, before master volume Mono jack, ¼” (6.35 mm) Sensitivity: 320 mV (–10 dBV) Impedance: 20 k (note: impedance changes to 5 k while external effect is switched OFF by footswitch) Outputs (note 3) phones Headphones output. When plugged in, internal speaker is muted. Stereo jack socket, L/R connected, ¼” (6.35 mm) Max. output power: 2 x 100 mW / 1000 ohm Input sensitivity for 2 x 50 mW / 1000 ohm: 23 mV (–33 dBV) at channel 1 input Impedance: 470 ohm (common for L and R) Note: Suitable for headphones with stereo jack. Does not work with mono jacks. tuner Tuner output Mono jack socket ¼” (6.35 mm) Output voltage: 340 mV (–9 dBV) line out Preamplifier output after tone controls, with effects, and after master volume Mono jack, ¼” (6.35 mm) Output voltage: 1.4 V (+3 dBV) DI-out Balanced XLR output before master, after tone controls, without effects 1 = ground 2 = positive 3 = negative Differential output voltage: 140 mV (–17 dBV) send Output to external parallel effect loop Before master, after tone controls Mono jack, ¼” (6.35 mm) Output voltage: 1.4 V (+3 dBV) Footswitch connector footswitch Stereo jack socket ¼” (6.35 mm) for a dual footswitch Tip = internal effect on/off Ring = external effect on/off Sleeve = common (ground) Effect is OFF when the footswitch is ON. Tone controls ch. 1 colour –3 dB at 700 Hz, +10 dB at 8 kHz bass 8 dB at 100 Hz (shelf type) middle 6 dB at 800 Hz treble 8 dB at 10 kHz (shelf type) ch. 2 bass 8 dB at 100 Hz (shelf type) treble 11 dB at 10 kHz (shelf type) Effects Internal effects 1 Reverb 1 2 Reverb 2 3 Delay 4 Chorus External effect Parallel effect loop (see also send and return). eff. pan Blends both internal and external effects between channels 1 and 2, with reverse direction of rotation for the external effects. Power Power amp 60 W / 4 ohm, DMOS, monolithic I.C. Dynamic range, A-weighted: 92 dB (note 2) Limiter threshold 50 W Analog signal processing Dedicated equalizer, subsonic filter, adaptive peak limiter Speaker system 8” (200 mm) twin cone full-range speaker, bass reflex enclosure Mains power Mains voltage (depending on model): 100, 120, 230, or 240 V AC, 50–60 Hz Power consumption: max. 120 W Mains fuse 5 x 20 mm T 1 A L / 250 V for 230 and 240 V models T 2 A L / 250 V for 100 and 120 V models General Cabinet 12 mm (0.47”) birch plywood Finish Waterbased acrylic, black spatter finish (standard model) Dimensions 260 mm (10.2“) high 325 mm (12.8“) wide 235 mm (9.25“) deep Weight 6.5 kg (14.3 lbs) Notes: 1. Sensitivity Input sensitivities refer to 50 W into 4 ohm, full gain and master settings, neutral tone control settings, and 1 kHz sine-wave test signal. 2. Noise and dynamic range Equivalent input noise voltages are typical values obtained by measuring noise voltage at speaker output and dividing by the voltage gain of the amplifier for white noise. Full gain and master settings, neutral tone control settings, input shorted, measuring bandwidth 20 Hz – 20 kHz. Dynamic range of power amplifier: Ratio of between output signal at limiter threshold to A-weighted output noise with master in zero position. 3. Output levels Output levels refer to 50 mV / 1 kHz sine-wave test signal at channel 1 input, full gain and master settings, neutral tone control settings, send fully clockwise. 4. Options Gain of channel 2 in mic mode can be decreased by 4.6 dB by an internal jumper. 48 V phantom power can be deactivated by an internal jumper. 9 V phantom power for channel 1 can be applied by an internal jumper to the “ring” terminal of the input jack. Caution: Use this option with care. Read the operating instructions.
Roland AC33 Acoustic Amplifier
Incoming Soon. $699.00
ROLAND AC33 ACOUSTIC AMPLIFIER
Rich, deep, stereo sound to go! introducing the AC-33, the worlds first battery-powered amp made specifically for acoustic guitar. Portable yet powerful, the AC-33 provides true stereo sound, Guitar and Mic/Line channels, custom-tailored effects, anti-feedback, and a Phrase Looper. But this amp was made to go places no amp has gone before. Thanks to its battery-power capability, the AC-33 lets you take your act anywhere: into the backwoods, onto the streets, or wherever your imagination leads you.
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Marshall AS100D Acoustic Combo
Incoming Soon. $1,199.00
MARSHALL AS100D ACOUSTIC COMBO
The AS100D has been specially designed for use with a variety of acoustic instruments, regardless of whether they have built in pickups or not. Between its 4 channels, this combo has the flexibility to handle instruments with piezo transducers or magnetic pickups, plus microphones, for both vocal and instrument reproduction. The 2 main acoustic instrument channels [1 and 2] may be linked together and feature independent level and EQ controls. The dedicated microphone channel offers a similar level of control. The AS100D also has phono inputs on the Auxiliary channel, specifically for use with external audio equipment. Its 2x50-Watt stereo configuration gives you enough power to perform on stage with superb clarity, while the provision of a balanced line out allows you the luxury of direct connection to an external PA system for larger concerts. The superb quality of the built-in digital effects for Reverb, Delay, and Chorus, adds an entirely new dimension to the range of sounds available. The AS100D features several "anti-feedback" controls, including a Phase switch for each channel and frequency controllable Notch Filters with selectable extra depth for channels 1 and 2. For clear and detailed performance, the AS100D is loaded with (2) 8 in. speakers and 2 high fidelity polymer dome tweeters. There is also an internal limiter that allows you to push the maximum level from the stereo 50-Watt output stage, while remaining distortion-free. Compact and portable, the stylish AS100D offers great flexibility and is the ideal amplifier for the acoustic player who wants the highest quality performance, with absolutely natural tonal reproduction.
| MODEL | AS100D |
| RANGE | ACOUSTIC |
| TECHNOLOGY | SOLID STATE |
| CHANNELS | 4 |
ELECTRONICS
| WATTAGE | 50W + 50W |
| INPUTS | 4 (+AUX&XLR) |
| CONTROLS | VOLUME x 3, BASS/TREBLE x 2, MID, MID FREQ, SWEEP x 2, FX MIN x 2, AUX VOLUME, FX ADJUST x2, FX LEVEL, MASTER |
SPEAKERS
| SIZE | 2 x 8" 2 x TWEETERS |
| OUTPUT POWER | 50W |
| NAME | CELESTION |
| IMPEDANCE | 4 Ohm |
ACCESSORIES
| FOOTSWITCH | PEDL-00001 INCLUDED (1 WAY WITH LED) |
| CABLES | POWER |
DIMENSIONS
| WEIGHT (KG) | 21 |
| DIMENSIONS in mm (W x H x D) |
605 x 530 x 270 |
OTHER
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Marshall AS50D Acoustic Combo
$525.00 $699.00
MARSHALL AS50D ACOUSTIC COMBO
Marshall's AS50D is a 50-watt, 2 x 8" acoustic guitar combo amp with 2 channels, including a phantom-powered microphone channel. It features a redesigned tweeter, digital chorus and reverb, and an anti-feedback notch filter. Each channel sports its own volume, EQ, FX loop, and D.I. output. Master volume, line out and RCA inputs round things out nicely.
| MODEL | AS50D |
| RANGE | ACOUSTIC |
| TECHNOLOGY | SOLID STATE |
| CHANNELS | 2 |
| MASTER VOLUME | YES |
ELECTRONICS
| WATTAGE | 50W |
| INPUTS | 2 (+AUX&XLR) |
| CONTROLS | VOLUME, BASS TREBLE x 2, SPEED, DEPTH, BALANCE, REVERB LEVEL, ANTI FEEDBACK FREQUENCY, MASTER VOLUME |
SPEAKERS
| SIZE | 2 x 8" |
| OUTPUT POWER (EACH) | 25W |
| NAME | CELESTION |
| IMPEDANCE | 8 Ohm |
ACCESSORIES
| CABLES | POWER |
DIMENSIONS
| WEIGHT (KG) | 16 |
| DIMENSIONS in mm (W x H x D) |
550 x 415 x 255 |
OTHER
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Fender Acoustasonic 15
$249.00
The Acoustasonic 15 amplifier offers portable amplification for acoustic-electric guitar and microphone. It's simple and flexible enough for a variety of musical performance or basic public address.
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Amplifier Height:
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11.5" (29.2 cm) |
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Amplifier Length:
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7.13" (18.1 cm) |
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Amplifier Weight:
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10.5 lbs. (4.76 kg) |
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Amplifier Width:
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11.19" (28.4 cm) |
Speakers
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Speaker:
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6 inch Special Design full-range speaker with whizzer cone for enhanced high-frequency response. |
Electronics
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Controls:
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Instrument Channel Volume, Bass, Middle, Treble, Chorus. Microphone Channel Volume, Bass, Middle, Treble. |
Miscellaneous
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Unique Features:
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Features Include 15 Watts of output power, 6 inch Special Design full-range speaker with whizzer cone for enhanced high-frequency response, two channels (XLR microphone and ¼" instrument) with individual volume controls, Chorus effect (for instrument channel) with level control and on/off switch, Bass, Middle, and Treble tone controls, ¼" headphone output, Classic Fender cosmetic treatment with brown textured vinyl covering and chrome hardware for durability and great looks. |
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